Proust was a Neuroscientist and You are Too
Wednesday, November 12th, 2008
I just finished reading Jonah Lehrer’s beautifully written book, Proust was a Neuroscientist. Before you wrongly assume that I’m all egg-heady (more pointy-headed, especially on bad hair days) this book articulates in lucid and engaging prose the premise that creative types of the 19th and 20th centuries had an innate understanding of how the brain works long before neuroscience proved their insights.
This made me all skin-tingly and sweaty under the eyes (does anyone else perspire there)? You see, many of the guests that I’m privileged to interview for our podcast reveal insights about the practice and thought process of creating just as eye-opening as those in Jonah Lehrer’s book. Here’s an example.
Guy Sanville, actor and artistic director at the Purple Rose Theatre in Chelsea MI, was a guest on our show. When I asked him to define acting, he described it as being authentic in imaginary circumstances. He also said that the greatest actors are those who know how to pay profound attention to the other person in the scene.
After the rigorous crafting of a character from the inside out, it is the actors ability to pay attention to what’s going on that allows reality to arise from a make believe situation.
Coming back to the book, Proust was a Neuroscientist, the author makes a similar point, saying that the brain’s ability to pay attention is what gives rise to our sense of self. In essence, when we’re not practicing paying attention, there’s no there there. It’s our ability to listen-up, tune-in and take note that makes us real to ourselves. That’s one of the coolest things I’ve ever heard. As long as we pay attention to one another we can construct reality together. I guess that means you’re a neuroscientist and I am too.
Jan
